KIORY 記憶
Journal

農曆七月唔係得禁忌,仲有一個講緊「唔好畀人忘記」嘅節

盂蘭勝會做足成個月。佢做緊嘅事好簡單:唔畀任何一個人冇人記得。

二〇二六年嘅農曆七月,由八月十三號開始,去到九月十號。七月十五正日係八月二十七號。

一講起七月,大部分人講嘅都係唔准做咩。唔好夜晚晾衫,唔好去游水,唔好吹口哨,唔好喺人後面拍佢膊頭。呢啲嘢講咗幾十年,講到成個月淨係得返一種感覺,就係驚。

但係香港喺呢個月真正做緊嘅嘢,同驚完全係兩回事。

香港潮人盂蘭勝會,做足一個月

根據非物質文化遺產辦事處,香港潮人盂蘭勝會由農曆七月初一起舉行,直至七月底止,歷時一個月,並且喺二〇一一年列入第三批國家級非物質文化遺產代表性項目名錄。

辦事處列出嘅內容包括:燒街衣、潮劇神功戲、化大士王、派平安米、福物競投。

呢幾個詞睇落好陌生。拆開嚟講其實好具體:喺空地搭個竹棚,做幾晚大戲,煮嘢同派米畀街坊,拍賣啲福物籌返經費,燒衫燒嘢畀啲冇人拜嘅魂。

換句話講,成件事嘅核心,係處理一班冇人記得嘅人。

「無主孤魂」呢四個字

盂蘭祭嘅唔淨止係自己屋企嘅祖先。仲有無主孤魂:冇後人、冇人拜、冇人記得佢叫咩名嗰啲。

呢個係一個好唔尋常嘅念頭。一整個月嘅公共儀式,唔係為自己屋企人做,係為一班同你完全冇關係、而且已經冇人知佢哋叫咩名嘅人做。

潮州人由潮汕落嚟香港,好多係戰亂同飢荒嗰陣走難落嚟,一家人散喺唔同地方,好多人一世都冇再見過。佢哋比邊個都清楚,一個人係可以喺冇人為意嘅情況下消失嘅。所以呢個節喺香港嘅潮州社區裏面,做得特別足。

今年一家人可以做嘅三樣嘢

一,去盂蘭文化節。二〇二六年九月四號至六號,銅鑼灣維多利亞公園一號足球場,免費入場。有搶孤競賽、盆供堆疊賽、文化歷史展覽同工作坊。搶孤同堆盆供細路仔睇得明,亦都唔恐怖。

二,去街坊嘅盂蘭勝會睇神功戲。全港各區成個七月都有,唔使買飛,行埋去就睇得。竹棚、大戲、擴音機、街坊搬櫈仔。而呢一項先係重點:帶埋屋企個老人家去。

因為坐喺個棚下面嗰班人,同佢後生嗰陣坐嘅係同一班人。佢細個就係睇住呢啲戲大㗎。你帶佢去嘅唔係一個文化活動,係佢自己以前個世界。

三,去睇下派平安米。排嗰條隊入面好多都係八九十歲嘅長者。同細路解釋一次點解要派米、派畀邊個,佢會記得成世。

喺現場問呢三條

「你細個嗰陣,屋企邊個負責燒街衣㗎?」

「你阿媽有冇話你聽七月唔准做啲咩?佢自己信唔信㗎?」

「你上一次睇神功戲係幾時?嗰陣你坐邊個位?」

呢啲問題好用嘅原因,係你喺現場問。你唔使特登搵個時間坐低訪問佢,你哋本身已經企緊喺個棚前面。人喺有嘢望住嘅時候,講嘢自然好多。

呢個節,同我哋喺度做嘅係同一件事

盂蘭成個月講嘅係一件事:畀人忘記,係一個人可以遇到最差嘅結果。所以我哋每年花一個月去補返。

但係年年八月,我哋一邊燒街衣畀一班唔識嘅人,一邊冇問過屋企嗰個仲坐喺度嘅老人家,佢細個係點過嘅。

今年七月,揀一晚,去睇場神功戲。帶埋佢。喺個棚前面問一條。

The Seventh Month Is Not Only About Taboos

Yu Lan runs for a full month. What it is for is simple: making sure nobody goes unremembered.

The seventh lunar month of 2026 runs from 13 August to 10 September. The fifteenth day, the main day, is 27 August.

Bring up the seventh month and most people list what you are not allowed to do. Do not hang washing out at night. Do not swim. Do not whistle. Do not tap someone on the shoulder from behind. Decades of this have left the whole month with one flavour, which is fear.

What Hong Kong actually does during this month is a completely different thing.

The Chiu Chow Yu Lan festival, a full month of it

According to the Intangible Cultural Heritage Office, the Hong Kong Chiu Chow Yu Lan festival runs from the first day of the seventh lunar month to the end of that month, a full month, and was inscribed in 2011 on the third batch of the national list of representative intangible cultural heritage items.

The Office lists what it involves: burning offerings in the street, Chiu Chow opera performed as a religious rite, the burning of the Ghost King effigy, the distribution of blessed rice, and the auction of blessed objects.

Those phrases sound remote. Broken down they are extremely concrete. A bamboo stage goes up on a patch of open ground, opera runs for several nights, food and rice are cooked and given out to the neighbourhood, objects are auctioned to cover the cost, and clothes and goods are burned for the dead nobody else is burning anything for.

Which is to say the centre of the whole thing is a group of people nobody remembers.

The phrase that carries it

Yu Lan is not only for your own ancestors. It is also for the unattached souls: those with no descendants, nobody to make offerings, and nobody left who knows their name.

That is a genuinely unusual idea. A month of public ritual, mounted every year, not for your own family but for a group of people you have no connection to and whose names are already lost.

The Chiu Chow came to Hong Kong from Chaoshan, many of them fleeing war and hunger, families scattered across different places and in many cases never reunited. They understood better than anyone that a person can disappear without anyone noticing. Which is why this festival is kept so thoroughly in the Chiu Chow community here.

Three things a family can do this year

One, the Yu Lan Cultural Festival. 4 to 6 September 2026, pitch number one at Victoria Park in Causeway Bay, free entry. There is the grappling competition, the offering-stacking contest, historical exhibitions and workshops. Children follow the competitions easily and none of it is frightening.

Two, find a neighbourhood Yu Lan and watch the opera. They run all month across every district, no ticket, you walk up and watch. Bamboo scaffolding, a full opera, a PA system, neighbours carrying their own stools. And this is the one that matters: bring the oldest person in your family.

Because the people sitting under that stage are the same people who sat under it when they were young. They grew up on these performances. What you are taking them to is not a cultural event, it is the world they came from.

Three, go and watch the rice being given out. A lot of the queue is in their eighties and nineties. Explain to a child once what the rice is and who it is for, and they will remember it for good.

Three questions to ask while you are standing there

"Who did the street burning in your house when you were small?"

"What did your mother tell you not to do in the seventh month? Did she actually believe it?"

"When did you last watch one of these operas? Where did you sit?"

What makes these work is that you ask them on the spot. You do not have to schedule a sit-down interview, you are already standing in front of the stage together. People talk far more freely when there is something in front of them to look at.

This festival is doing what we are doing

A month of Yu Lan says one thing: being forgotten is the worst thing that can happen to a person, so once a year we spend a month making up for it.

And every August we burn offerings for a crowd of strangers while never having asked the old person sitting in our own front room what their childhood was like.

Pick one night this month and go and watch the opera. Bring them. Ask one question in front of the stage.

傾一傾,唔使即刻決定Let's talk. No decision needed today.

WhatsApp 我哋WhatsApp Us